The Great Gatsby Essay -- Literary Analysis, F. Scott Fitzgerald

The spectacular Gatsby as a Representative of the Jazz AgeThe notorious depicting of the 1920s is often characterized as an era of abundant prosperity, lavish lifestyles, and bleak periodd philosophies. This image, however, was only the surface of a skewed decade change with deep cultural discord. Underneath all the glitz and glamour of the down(p) flappers and the fiery jazz bands was a dueling battle of old school priggish delegacys versus untested aged America (Mintz). This glorious jazz age, as Mr. Fitzgerald put it himself, was an age of miracles, and age of art, an age of excess, and it was an age of satire (Sickles). afterwards WWI ended in 1918, The American society experienced an abrupt age of economic and cultural miracles (McDougal Littell Inc 425). What was once a country in bully turmoil and despair had rapidly become a country uprising into power, wealth, and prosperity. With this great change also came an enormous transformation of the American counseling of life (412). Fitzgeralds novel The Great Gatsby captured this transformation exceptionally tumefy with its representation of east egg and west egg, as symbols of societies ever-changing cultural views (Fitzgerald 101). Fitzgeralds eggs were two land masses in mod Yorks Long Island Sound that were separated by a midget bay of water. Although they were only a short distance away from from each star other, the two eggs served as favorable barriers which were not to be pass over (9). The east egg was reserved for New Yorks aristocratic social class that had been brought up in the pre-war Victorian era. It represented the many soaked family chains who wanted to keep their elite social emplacement and way of life the same, like how it was before WWI (10). The west egg, however, was home to a new breed of Ame... ...s. Tom and Daisy showed their true colors, by using their social status and the power of money to bail them out of the inevitable truth their cowardliness was to bl ame for Myrtle and Gatsbys untimely deaths (Fitzgerald 187). Instead of showing Mr. Gatsby the decency of visual aspect at his funeral, they simply moved to another home to forget their pitch-dark past (172). Every Saturday Jay Gatsby threw elaborate parties filled with crowds of people, yet at his funeral none of his friends were there (Richards). This coincided with the 1920s hedonistic way of life. None the less, Gatsby believed in the special K light, the orgastic future that year by year recedes before us tomorrow we will run faster, stretch out our arms farther. And one fine morning- So we beat on. Boats against the current, borne back ceaselessly into the past (Nick Carraway, qtd. in Fitzgerald 189).