Ozymandias (1818) I met a traveler from an antique land Who verbalize: Two big and trunkless legs of stone Stand in the desert. just them, on the sand, Half sunk, a shattered fall cuckoo lies, whose frown, And wrinkle lip, and sneer of cold command, 5 Tell that its sculpturer well those passions read Which hitherto survive, stamped on these lifeless things, The passel that mocked* them and the heart that fed; imitated And on the pedestal these words come to the fore: My name is Ozymandias, king of kings: 10 Look on my kit and caboodle, ye Mighty, and hopelessness! Nothing beside remains. Round the decay Of that colossal wreck, boundless and b atomic number 18 The lone and train sand stretch far away. Humans throughout history bash striven to overcome their mortality by leaving something of themselves behind -- distinguish of their existence. The subject of Shelleys numbers Ozymandias is an ancient king who sh ared this commons desire, but not in a common way. He not only cherished to leave behind a record of himself for future generations, he wanted his memory gallant preceding(prenominal) that of others, and even above the Mighty who would live after him. He did not want to put across up at remainder the power he had wielded in life.
The satire in this poem lies in the difference between what Ozymandias intends -- to see to it onto the glory of his works after time takes its course with him -- and what genuinely happens. This great monuments frown, / And wrinkled lip, and sneer of cold command and the inscription on the pedestal are all meant to inspire fear i n the viewer. However, natural weathering a! nd (possibly) last repayable to conquest have dismembered this image of the king and disembarrass him of the awe-inspiring ability he once possessed. Rhyme plays an knobbed part in... If you want to get a near essay, smart set it on our website:
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